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Percer-Voir #2   28 march - 08 april 2003 conceived for "Ten Days on the Island" curated by R. Archer, Royal Tasmanian Botanical Gardens, Hobart

Interest in a development of form and matter in space – clearly identifiable in the Enlightenment series – continues through the environmental interventions produced in 2002 at the Chiostri di San Pietro in Reggio Emilia and in 2003 in Australia at the Royal Botanical Gardens in Hobart. In fact, Percer-Voir (2002) seems to be the “environmental” evolution of the first sculptural attempts combined with an intensified search for a vaster sensorial and perceptive space that is always more interactive with the observer.

The repeated choice of glass, characterizing this phase of the artist’s production, is determined by the specific properties of the material: transparency and the effects of dematerialization and dynamization caused by reflections. In fact, the title Percer-Voir, playing on the terms perceive, pierce, and see, reintroduces the linguistic, aesthetic, and ethical need to open up new possibilities of perception, of understanding, and of discerning beyond visual, sensorial or intellectual habits.





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